Twelve styles, two test houses
Every style was painted from the same two houses, which we generated so no real address is shown. Read across a row for the medium and down the pictures for the house staying itself. Pick one and the studio paints yours the same way.
The Architect
The house as it was drawn before it was built: technical pen on drafting film, a copperplate etched and printed by hand, and a cyanotype sun print.
- No.01Ink ElevationTechnical pen on drafting film, hatching, ruled ground lineYour house as the architect drew it


- No.02Copperplate EtchingBitten line, drypoint burr, plate tone, wiped highlightsYour house etched and printed by hand


- No.03CyanotypeSun print, Prussian blue ground, white line, brushed edgesYour house as a sun-printed blueprint


The Watercolourist
The classic house portrait, three ways: pen and wash, storybook gouache, and an oil sketch made on the pavement opposite.
- No.04Watercolour and InkLoose pen line, wet washes, white paper left as lightYour house in pen and wash


- No.05Gouache StorybookMid-century picture-book gouache, flat shapes, warm lightYour house in a picture book


- No.06Plein Air OilOil sketch on board, broken colour, low sunYour house painted from across the street


The Printmaker
Carved, cut and pulled: a shin-hanga woodblock in the manner of Kawase Hasui, a two-colour linocut, and a 1962 screenprint.
- No.07Woodblock at First SnowShin-hanga woodblock, falling snow, lit windowsYour house under the first snow


- No.08Two-Colour LinocutCarved line, two inks, the white of the paperYour house carved in two colours


- No.09Screenprint 1962Serigraph, flat colour fields, slight misregistrationYour house as a 1962 screenprint


The Seasons
The same house in the light of one day of the year: the first snow at dusk, an October afternoon, a spring morning under blossom.





