The wide

Then the street

Your house on the drawing board. The same two houses, three by two, and it prints to 60 × 40″.

The Farmhouse, a test house, painted as the Ink Elevation wide: Your house on the drawing board — The Farmhouse
A test house we generated, the wide

The Terrace, a test house, painted as the Ink Elevation wide: Your house on the drawing board — The Terrace
A test house we generated, the wide

Your turn

Now your house

This studio paints only Ink Elevation. The picker for all 12 styles is on the front page. The proof counts the windows either way.

Add Your HouseOne house, from the street, the whole front in frame and nobody in it. JPEG, PNG, HEIC, up to 12 MB.

Tidy the Kerb Bins, parked cars, signs and overhead wires are left out of the painting. The proof says so. Switch it off to keep the street as photographed.

Ink Elevation

Your house as the architect drew it

Four passes on the house. A pass paints your photograph twice: upright and wide. Your photograph is kept beside the render, at proof size, so the two can be counted and repainted. Write to us and we delete both.

A white clapboard farmhouse with green shutters and a four-column porch, cut as a two-colour linocut in black and green — Linocut in Two Colours
A test house we generated for this page. Yours replaces it.

The same farmhouse as an ordinary photograph from the street, with two wheelie bins and a telephone wire in front — Linocut in Two Colours
A test house we generated for this page. Yours replaces it.

Also in The Architect

Next: Copperplate Etching All Twelve Styles